A Masterpiece of Postwar German Literature: Günter Grass’ “The Tin Drum”

How I experienced The Tin Drum by Günter Grass

Reading “The Tin Drum” by Günter Grass was deep and somehow moving. Its unique storytelling and surreal images are highly attending and attractive—especially the story of Oskar, who refuses to grow and uses his drum to express him amidst World War II. The absurdity mixed with an emotional depth really touched me deep inside my soul with compassion, confusion, and even a little bit of horror.

Essentially, the book did really challenge me to think through what place art and individuality would have in society.

Themes of oppressive systems and resistance against them, loss of innocence, and how reality was twisted through Oskar’s eyes really put to my mind the question of historical narratives and the nature of truth. Oskar’s drumming in the rubble, against the odds and all who would tell him to stop, symbolized both his grit and the power of a single individual voice against the weight of the world. It was a very enlightening and challenging reading experience; it brings to memory the transforming power that stories carry to be able to look history and human truth in the eye.

“The Tin Drum” by Nobel Laureate in Literature Günter Grass is a novel set in pre- and post-war Germany. The story follows Oskar Matzerath, a boy who decides to stop growing at the age of three and communicates through a tin drum. Oskar’s narrative explores themes of German history, war, guilt, and identity, serving as a symbol of post-war Germany’s collective denial and guilt. The book is known for its complex narrative structure and was adapted into an acclaimed film in 1979.

Introduction: The Tin Drum

Günter Grass’ “The Tin Drum” (Die Blechtrommel) stands as a cornerstone of postwar German literature, an intricately crafted and daringly unconventional novel that defies categorization. First published in 1959, this magnum opus offers a searing exploration of history, memory, and the complexities of individual and collective guilt. With its distinctive narrative voice, surreal imagery, and profound social commentary, “The Tin Drum” remains a testament to the power of literature to confront the dark chapters of humanity.

Plot Summary: Set against the backdrop of World War II and its aftermath, “The Tin Drum” follows the life of Oskar Matzerath, a precocious and enigmatic boy who decides to stop growing at the age of three, using his tin drum as a symbol of protest against the adult world. Oskar possesses a remarkable gift: the ability to shatter glass with his piercing scream. Through Oskar’s narrative, the novel explores his family’s history, his personal experiences during the war, and the social and political landscape of Danzig (now Gdansk) in the years leading up to and following World War II.

Quote from The Tin Drum by Günter Grass

Review Günter Grass’ “The Tin Drum”

“The Tin Drum” is a profoundly complex and challenging work of literature that defies conventional narrative structures. One of its most remarkable features is the distinctive narrative voice of Oskar Matzerath. Oskar’s perspective combines the innocence of a child with the wry observations of an old man, creating a unique blend of satire, cynicism, and dark humor. Grass’s decision to narrate the story through the eyes of a character who is simultaneously a witness and a participant in historical events allows for a nuanced exploration of guilt, complicity, and the struggle for individual agency.

Grass’s prose is a triumph of linguistic virtuosity, combining poetic lyricism with gritty realism. His vivid descriptions and attention to detail bring the city of Danzig to life, immersing the reader in its rich cultural tapestry and turbulent history. Grass masterfully intertwines historical events, such as the rise of Nazism and the destruction of World War II, with Oskar’s personal story, creating a powerful narrative that captures the zeitgeist of postwar Germany.

A Political Novel

The novel’s exploration of history and memory is a central theme throughout. Grass challenges the notion of historical objectivity, emphasizing the fallibility of memory and the subjective nature of personal recollection. Oskar’s unreliable narration and his selective memory highlight the elusiveness of truth and the ways in which individuals construct their own narratives to cope with traumatic experiences. Grass skillfully juxtaposes the personal and the political, blurring the boundaries between the individual and the collective, reminding us that history is not merely a series of events but a deeply personal and subjective experience.

“The Tin Drum” is a deeply political novel, serving as a scathing critique of German society and the atrocities committed during the Nazi era. Grass confronts the collective guilt of a nation by shining a light on the complicity, collaboration, and denial that permeated German society in the years leading up to and during the war. The novel explores themes of identity, nationalism, and the corrosive effects of ideology, challenging readers to confront their own roles in history’s darkest moments. Grass’s indictment of the human capacity for cruelty and the dangers of blind allegiance to authority remains as relevant today as it was when the novel was first published.


Surrealism and magical realism are integral components of “The Tin Drum,” enriching the narrative with dreamlike sequences, grotesque imagery, and allegorical motifs. Oskar’s ability to shatter glass with his scream becomes a symbol of resistance and a metaphor for the power of art to disrupt and challenge oppressive forces. Grass employs these surreal elements to disrupt linear storytelling and to expose the absurdity and contradictions of the world in which Oskar lives.

“The Tin Drum” is also a deeply introspective novel, delving into themes of identity, sexuality, and the complexities of human relationships. Oskar’s refusal to grow physically serves as a metaphor for his resistance to societal norms and expectations. His unconventional sexual encounters and his exploration of different forms of desire reflect a deep-seated longing for individual freedom and liberation from societal constraints. Through Oskar’s journey of self-discovery, Grass raises profound questions about the nature of identity, the construction of selfhood, and the role of the individual in shaping history.

It is important to note that “The Tin Drum” can be a challenging read due to its complex narrative structure, multiple layers of symbolism, and the raw and confrontational nature of its content. Some readers may find the novel’s length and dense prose demanding. However, those who persevere are rewarded with a profound and thought-provoking exploration of the human condition and the legacy of historical trauma.

Illustration The Tin Drum by Günter Grass

Famous Quotes from “The Tin Drum” by Günter Grass

  1. “Because I am a drummer, I thought up a march for January 30; not too brisk, somewhat sluggish, somewhat reluctant, somewhat embarrassed, but nevertheless a march that moves forward.”
    • This quote reflects Oskar’s complex relationship with the historical events unfolding around him, particularly the rise of Nazism in Germany. Oskar’s creation of a march for January 30, the date Hitler became chancellor, captures the ambivalence of the moment—a blend of momentum and reluctance, encapsulating the collective march of a nation toward a dark future.
  2. “Even bad books are books and therefore sacred.”
    • Here, Grass underscores the inherent value of books and the act of writing, even when the results are not critically acclaimed. This quote speaks to the sanctity of literary endeavor and the importance of freedom of expression, suggesting that the act of creating, regardless of the outcome, is a pursuit worthy of respect.
  3. “I hope I am an owl, a good, nocturnal bird of prey. I would like to live wisely.”
    • Oskar expresses a desire to live wisely and observes the world with the detached, keen insight attributed to owls. This quote highlights his wish to maintain a perspective that is both critical and discerning, capable of navigating the complexities and absurdities of the world he inhabits.
  4. “At the age of three, I decided to stop growing.”
    • Oskar’s decision to stop growing at the age of three is central to the novel’s plot and serves as a metaphor for his refusal to participate in the adult world and its moral compromises. This decision reflects Oskar’s unique form of rebellion against societal norms and his attempt to retain a child’s purity and directness of perception in the face of historical atrocities and personal betrayals.
  5. “Everywhere I went, I found that I had been preceded by my reputation as the man who could not break a glass with his voice.”
    • This quote speaks to the theme of identity and the difference between who we are and how we are perceived by others. Oskar’s reputation for breaking glass with his voice becomes a defining aspect of his identity, yet it also misrepresents and simplifies the complexity of his character. It underscores the novel’s exploration of the facets of self and the limitations of reputation.

Trivia about “The Tin Drum” by Günter Grass:

  1. Symbolic Drum: The tin drum itself serves as a powerful symbol throughout the novel. Oskar Matzerath’s decision to stop growing physically represents his refusal to conform to the adult world and its actions. The drum becomes his voice, a means of protest and defiance against the society around him.
  2. Controversial Content: “The Tin Drum” explores taboo subjects and includes explicit scenes, making it a controversial novel upon its release. Some readers and critics found its portrayal of sexuality and violence disturbing, while others praised its audacity and literary merit.
  3. Historical Setting: The story is set in the city of Danzig (now Gdańsk) in the years leading up to and during World War II, as well as the post-war period. Grass vividly captures the social and political atmosphere of the time, providing historical context for the events in the narrative.
  4. Nobel Prize Recognition: Günter Grass was awarded the Nobel Prize in Literature in 1999, partly in recognition of his body of work, including “The Tin Drum.” The novel played a significant role in establishing Grass as one of the leading literary figures of post-war Germany.
  5. Film Adaptation: “The Tin Drum” was adapted into a highly acclaimed film in 1979, directed by Volker Schlöndorff. The movie won the Palme d’Or at the Cannes Film Festival and received widespread international recognition. It effectively captured the novel’s themes and visual imagery, contributing to the popularity and legacy of the story.
  6. Literary Influences: Grass drew inspiration from various literary traditions and techniques while writing “The Tin Drum.” The novel incorporates elements of magic realism, a genre associated with Latin American literature, blending fantastical elements with historical events and political allegory.
  7. Historical Allegory: The novel is often seen as an allegory for post-war Germany and the nation’s struggle to come to terms with its wartime past. Oskar Matzerath’s refusal to grow and his drumming symbolize Germany’s collective denial, guilt, and the need for a reckoning with history.

These are just a few points of trivia about “The Tin Drum.” The novel’s rich symbolism, historical context, and controversial nature have contributed to its enduring reputation and influence in literature.


Günter Grass’ “The Tin Drum” stands as an enduring masterpiece of postwar German literature. Through its audacious narrative voice, surreal imagery, and profound social commentary, the novel challenges readers to confront the complexities of history, memory, and individual agency. Grass’s poetic prose and his unflinching exploration of guilt, complicity, and the struggle for self-determination create a narrative that lingers in the mind long after the final page is turned. “The Tin Drum” remains a seminal work that compels us to examine the darkest corners of our past and to confront the timeless questions of humanity’s capacity for both destruction and redemption.

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